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Extracts
The White Tower -
a sequel to The Trojan Dog
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This extract is from Chapter One of The
White Tower
Grey
castle walls rose straight from sheer cliffs.
I felt as though spires of saltwater were constantly
washing over me, as they washed and worried the
sharp rocks at the cliff's base. Intense cold
entered my body through my fingernails and ankle
joints, and I forgot I was standing in a room
in Canberra, staring at a computer screen. Whoever
had created the scene in front of me had drawn
the walls and rocks as though they were almost
one - straight grey smoothness of the walls, more
variation of colour in the cliff face - inseparable
and yet not quite. I felt that he - for I knew
the artist's name - had intended both to rise
from the ocean as though the whole of Irish history
could be made contingent in the blinking of an
eye.
Yet I stared for a long time at the dividing line,
as though it was the picture's most important
feature. Directly below it was the body of a young
man, his blond hair a single spot of brightness
on the screen, long enough to cover his face,
and flowing over one dark shoulder. He lay on
the spray-wet rocks with his left arm bent underneath
his head. A single, hurried glance might have
left the viewer with the impression that he was
asleep, except for the impossible angle of his
legs, spired rocks that gave no quarter.
He wore a black shirt that might have been a uniform.
I imagined him standing on the castle wall, looking
down, or up, in that last moment before he jumped,
a person whose decision, or blank despair without
decision, had got him that far, to stand above
the ocean on the thick waist of an ancient building.
I turned to the woman standing next to me, realising
that the grip of cold came from her as well.
I was aware that Moira Howley, the mother of the
young man whose computer we were looking at, in
fact wasn't looking at it, hadn't looked at it
since she'd led me to her son's room and switched
it on. While I'd been staring at the screen, she'd
been standing with her head down, one hand resting
on a black table.
‘Is this all Niall left? No note? No other
message?’
‘No,’ Moira said. ‘Just this.’
‘What about a will?’
Moira did not so much shake her head as her whole
body. She turned from the computer to stare out
a window at a square of grass. A magpie hopped
across it, dragging a tangled piece of string.
‘It's a nightmare,’ she said softly.
Her eyes were swollen, yet suddenly full of pride.
‘But you kept it?’
‘I've stared at it till I was sure I was
going mad. That's why I phoned you.’
‘What did the police say?’
‘Oh, the police,’ Moira said dismissively.
‘Niall wanted us to make the connection
between this and the tower.’
‘But what did the police make of it?’
‘A suicide note,’ Moira said, finally
looking at me. ‘That was their conclusion.’
‘Did you attend the hearing?’
‘I couldn’t. Bernard did.’
‘But you – ‘
‘The coroner said he was satisfied that
Niall had taken his own life.’
I didn’t know why my questions were making
Moira impatient. She looked top-heavy and yet
frail, a house of cards that was about to topple
over, a house a child had made and then forgotten,
that the first breeze from an open door might
send scattering. Part of it was winter clothes
too thick for a September morning, a morning people
were celebrating all over Canberra, throwing off
jumpers, getting out of doors.
Her only son had killed himself on the night of
the winter solstice, and she shivered in remembrance.
Her brown woollen cardigan had wide lapels and
sagging hip-length pockets. A long skirt, colour
of mustard that had been in the fridge too long,
was designed to be worn with boots, yet Moira
had on thick white socks and a pair of dark blue
clogs. When she'd brushed her hand against mine,
it had felt like putting my hand in a freezer.
After my mother died, I'd wrapped myself in layer
after layer, and trembled underneath them.
‘I want someone who can find out what my
son was doing.’ Moira's breath strained
as though she, and her words, moved forward in
spasms. ‘Who were these people he sat up
half the night playing that game with? What did
they do to him?’
‘Didn’t the police do that?’
‘Not that I know of,’ Moira said,
then smiled. ‘It's all right. Sandra. God
knows, I've spent enough time working myself up
to this. I have cousins called Mahoney. Did you
- ’ She bit her lip without finishing her
question, but I realised that my Irish surname
was the reason she’d picked it from the
phone book. ‘How about I make some tea and
we'll drink it in the living room?’
I smiled back encouragingly. ‘While you're
making it, I'll copy this.’
Moira left me alone in her son's room and I copied
the castle scene, not quite sure why I was being
so careful, since I intended asking her if I could
take the computer home, so that my partner Ivan
Semyonov, could go through the hard drive.
I closed the image file. All that remained was the single icon Niall had chosen to leave on the screen. He’d called it ‘the white tower’.
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